I can’t believe that this is stop-motion.
I CAN’T UNDERSTAND FUCKING STOP-MOTION THOSE FINGERS SHOULD FALL RIGHT OFF BUT NO THEY SUPPORT THEMSELVES BEAUTIFULLY
WHAT THE ACTUALLY FUCK STOP MOTION
The fingers are being supported by armature wire. Virtually all stop motion puppets have some variety of this going on underneath it:
Given the proportions of Burton’s creations, the armatures underneath his puppets are probably custom-made.
What you’re also looking at is a ton of replacement animation on that teddy bear. Instead of actually tearing open the bear model, someone, or a few people, carefully crafted a handful of that specific bear at various stages of being cut open. If you look closely, the slab it’s on moves slightly, which gives itself away.
Also, Jack’s speaking is done through replacement animation.
Stop motion utterly fascinates me.
GOD BLESS YOU
THIS IS THE THING I DONT GET ABOUT STOP MOTION
YOU HAVE TO PHYSICALLY MOVE THE DOLLS WITH UR HANDS AND REPLACE THEIR FACES //HOW DO YOU KEEP THEM IN THE SAME SPOT??????//
stop motion people are crazy
Thank you for including Paranorman because I feel the urge to remind you that in this day and age they still use mostly stop motion and have even managed to sharpen the skill to eliminate minimal errors that before were impossible to fix (aka jitter, hair movement dynamics, movement fluidity) by mixing 3D printing and other modern techniques along with the traditional stop motion process. Laika doesn’t fuck around.
animation is magic, isn’t it! ;)
(Source: timburtonmoviegifs, via sweetmeadow)
Creative people are confident in only one thing: their own doubt. I think there’s a huge lack of self-confidence in a creative person because, by nature, the definition of a creative person is someone who is trying to make something new. They know, if they are professional creatives, that the likelihood of doing that—making something new and significant—is hugely unlikely, so they build within that city of doubt. From doubt, they get to iterate and work extremely hard, hoping to find something new; it’s all about hope. I’ve never met anyone who is good at what they do creatively and is super-confident. Maybe they pretend to be confident in front of their agent or the media, but I’ve never been confident in that way. — A conversation with the inimitable John Maeda. Complement with Seth Godin on dancing with self-doubt and Anna Deavere Smith’s advice to artists on what self-esteem really means. (via explore-blog)
Goodbye Dublin boys, farewell! I gave you my best shot, but you never could tell — Antje Duvekot “Dublin Boys”
CAN’T YOU FEEL ITS PAIN??